XXIV | Some Singing

Nothing’s gone wrong,

 

Tammie sang.
Tammie continues to sing.

Days pass,
a looping playlist

between

Moonlight Sonata
and this blood song Tammie invented.

 

Nothing’s gone wrong,
Nothing’s gone wrong,
Nothing’s gone wrong.

 

Every moment we’re together,
she just keeps singing that song.

I ignore her,
trying to shut out

her foul, rancid singing.

tracing
the LED lamp
on the blank ceiling.

I’d tell her to stop

but I’m
too tired

just from walking downstairs

at medicine time.

The song,
sung that first time,
brought comfort.

Now,
sung over a million times,
it makes me scared.

They remind
me now

of the voices

some time ago,

when
I haven’t taken any medicine.

 

Moonlight Sonata plays from the walls
and Tammie stops singing.

Medicine time again.

 

Get up, Fifi. It’s medicine time.

 

I ignore her.

But the nurses
who follow me like shadows

repeat what she says.

 

Get up, Fiona. It’s medicine time.

 

The plain nurse
tugs my hand.

I’m pulled upright.

Onto my feet.

Shuffled to the door.

Down the stairs.

 

Tammie follows me.

Abstract painted eyes
follow me.

The song begins singing playing
over Beethoven’s Moonlight Sonata

through the walls
of the asylum:

 

Blood is shed because of you,
we’ll never get along.
I’ll never ever change for you,
 or for the lyrics of our song.

 

‘Just give me the injection,’
I say

at the bottom of the stairs,
crouching,
head between my knees,

scratching a demon in my throat.

The beginnings of a scream.

‘The song changed!’
          My throat is raw.

Water leaks
from the faulty faucet of my eyes.

The pretty nurse
commands
that I stand up

and take the final few steps
into the hall.

(Or maybe she’s ordering
Macdonald’s to eat

since I refuse to uncurl
from this
          position.)

Even though
I scream,
I hear the song continue

a tampered version
of Tammie’s song.

 

Don’t worry Fifi,
Everything’s gone wrong.

 

My chest is tight.
My feet are asleep.
My unconscious

remembers

how he died.

The injection comes,
followed by hands that grip me harder than necessary

and I’m staring

at the LED light on the blank ceiling

of my room

once again.

 

 

 

There’s
a foul smell.

I open my eyes,

expecting her apologetic smile
hovering over me as usual.

There’s only

the LED light

and the blank ceiling

and the autotune voice
singing

the words of Tammie’s

blood song.

 

A laugh.

Or maybe
it’s a scream.

It’s hard
to tell the difference

when I feel like blacking out.

I want to close my eyes

but something
hurts.

The single
lonely
LED lamp
on the ceiling of my room
blinks

like a prop in virtual reality.

It spins,
slowly at first,
then faster,
          faster!

Then the LED light
starts to multiply,
filling the blank ceiling canvas

like reproducing insects,
ocular-shaped honeycombs

blinding me with white light.

They flicker to the rhythm
of the screams.

BLOOD IS SHED…
YOU BLAME ME?
WE’RE NOT REAL…

IT’S JUST A GAME…

…FIFI…
GO AND DIE!

Turning red.

Laughing.

‘Tammie,’ I say.

My throat is raw
for some reason.

HOW MANY DAYS HAS IT BEEN?
YOU WANT TO SPEND

EVERY DAY LIKE THIS?

I dig my fingers
into my ears,

they just sink into skin.

I don’t want to hear

anything
anymore.

Hands grab mine,
sticky hands.
Gloved hands.

Muffled voices.

Masked nurses.
No Tammie.

The smell of antiseptic
instead of puke.

The screams

fade

into static.

 

Did I escape again?
Did someone die again?

Have I forgotten

again?

The gloved hands
can’t be shaken off.

They’re around my ankles too,
holding me down.

My voice

is fading

even though

I’m trying

to scream

at the top

of my lungs.

 

There’s a prick
on my shoulder.

(Or is it my chest?)
(My heart?)

The autotune voice returns,
with more to say

in a whisper.

A different song.

A bridge.

YOU’LL BE HERE FOREVER, CREEP.
YOU’LL BE HERE FOREVER, CREEP.
YOU’LL BE HERE FOREVER, CREEP.

A laugh. A scream.
The smell

of vomit.

 

 

 

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