XCII | Some Time

I’m remembering

all the names
I’ve forgotten,

all the faces
I’ve forgotten,

their screams, their blood, their dead eyes.

Not everything.

Just enough

to know,
to be horrified.

 

All the patients.

They didn’t leave.

They were killed.

 

I’m gagging

from the smell,
from the shock,
from the heat.

The room’s gotten darker now.

The smoke
clouding the entrance

of the studio room

is thickening.

It’ll be too dark
to see anything

without Tammie’s glowing grey eyes.

 

She’s hopped off the bed
now,

walking through the sea of
cupboards and leotards

to my side.

I’ve just opened up
the next pandora’s box.

There should be

no more

dead people left.

 

The leotards float
like paper

from my hand,

drifting
like confetti

to the floor.

 

Queenie.

 

Her body hasn’t decomposed yet.

I can easily make out
the features that identify her.

Her bright eyes are
open,

her hair dangling

like seaweed
from a life buoy.

There’s a toothbrush

sticking out of her chest.

A bloody hole
where her heart

should be.

I don’t understand.

Tammie behind me
pulls out
the toothbrush.

The end without the brush
is broken,

a jagged,

sharp plastic point.

I stare at
the makeshift weapon

numbly.

Tammie points

at the cupboards stretching out
into the darkness.

Her head tilts

sideways
again.

Softly this time.

More human.

I must have imagined
the creaking movement
earlier.

 

‘Who…’

And Tammie
hands me

the bloody toothbrush.

The blood
congealing

on the jagged end
isn’t dry.

So now I’ve got

Queenie’s blood on my hands.

 

 

 

It doesn’t take a genius
to guess

what exactly

lies

inside the other cupboards.

The other patients.
There are,

after all,

six other patients
left

in this asylum

aside
from the two
of us.

The cupboards

further inside
the room

are probably

patients from before
I came.

 

What are you going to do now, Fifi?

 

The shock is all-consuming.

But the question
I find myself

thinking about

most

is why.

 

I’m staggering back to the older corpses,
searching for life.

(There’s none.)

Smoke and water

begin flooding
the studio.

I reach Asher.

His face is grey in the darkness.
With Tammie close by,

blue, purple—

his lips bloodless.

Asphyxiation.

I think of that
somehow.

(I’m not an expert.)

I wouldn’t know.

 

Back to the first corpse.

Elliot.

The first patient
who disappeared

after my arrival.

Something white

is protruding
from his neck.

There’s gunk smeared on it now

but I recognise it.

Tammie
giggles.

She recognises it too.

She puts her mouth
to my ear.

The smell of vomit overtakes me for a moment.

 

I know what you did
with the plastic knife.

 

Something splashes
on the floor.

I feel wet and grainy

things

beneath my feet.

Water.
Ash.

And then there’s

plastic knives.

Broken
toothbrushes.

Paintbrushes.

 

I’m stepping
on decomposing flesh,

human bones,

eyeballs, lips, foreheads.

The smell of blood,
the smell of ash.

 

There’s

pain.

Lots and
lots of

pain.

 

 

 

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